• Skip to main content

Mindful Musical Life

  • Home
  • The MML Podcast
  • Instruction
    • Coaching
    • Workshops
    • Available Courses
      • Mindfulness for Musicians Introduction
      • Mindfulness for Musicians: The Self-Study Course
  • About Kevin
  • Helpful Resources
    • Resources
    • The Mindful Musical Life Blog
  • Contact

Archives for November 2019

Theory and Practice

November 20, 2019 by Kevin Miescke Leave a Comment

Man Meditating

I spent this past weekend in Austin and San Antonio performing with the Austin Baroque Orchestra. I also had the great pleasure of presenting mindfulness to an excited room full of brass students at Texas State University. This combination gave me a great chance to work on my teaching approach, and also put my personal mindfulness practice into action with a couple performing opportunities. 

Like many other musicians, I originally got interested in mindfulness for the possibility of decreasing the impact of anxiety on my musical performance. While I firmly believe that the benefits of mindfulness impact the whole person, there is no doubt that this training does help with musical performance anxiety. With my performances this weekend, I felt the usually increase of anxiousness leading up to each concert, but I was able to sustain my focus in the moment thanks to my mindfulness work. This benefit is great, but the way that I teach mindfulness is not focused directly on the musical benefits. Instead, it is important to approach mindfulness as a holistic training for the whole person, not just the musician. 

This is what I emphasize when I share mindfulness instruction with anyone. In order to apply the benefits of mindfulness to music, and to reap the benefits in performance, you have to develop mindfulness away from music. The benefits from mindful practices will reveal themselves in many places in your life, but after a while you will notices there are specific practices that will  have a direct impact on the musical parts of your life. 

I have found in my own practice that meditation exercises emphasizing the development of focus are very beneficial to musical performance. One of my favorite mindfulness teachers on focus is Sharon Salzberg. I find her guidance in breath awareness is easy to follow and her pacing in exercise is excellent. Here is a link to a 20-minute guided breath awareness meditation. Try it out! 

Filed Under: Focus, Guided Meditation, Practice

Why do you perform?

November 11, 2019 by Kevin Miescke Leave a Comment

Last weekend I finished up a wonderful performance experience with the Reno Modern Brass. There were many enjoyable moments, but there were also moments when I felt anxiousness and even trepidation at the upcoming concert. Generally I was very excited to share the new music we had prepared with our growing audience. There are things that can inspire us to perform: opportunities for professional growth, money, or an unexpected day off. While these are all rational reasons to share one’s music, a recent book I’ve been reading has me thinking about how our inspirations might influence the quality of our eventual performance. 

Mihaly Csikszentmihalyi’s book, Flow explores his extensive research into high levels of performance in everything from housekeeping to olympic swimming. Flow can be described as the perfect balance between challenge and capability that encourages intense, sustained engagement in an activity, usually resulting in a heightened sense of enjoyment and satisfaction. One of the key elements of establishing flow (or being in “the zone” as many call it) is having a strong sense of intrinsic motivation. 

Csikszentmihalyi argues that what drives us to keep growing as musicians and our reasons for performing cannot be based on external factors, if our goal is to achieve flow on a regular basis. Simply put, if you are pushing yourself to get better solely to earn accolades from your listeners or strictly for professional gain, you will rarely achieve a flow state. 

It is a valuable exercise to think about what truly motivates you as a musician. Find a few minutes each day for the next week to write down your thoughts on this subject. Often the best times for journalling and reflection are first thing in the morning, or before going to bed at night. Another good option is to take some time before your practice session to get some thoughts down. This can help start your practicing off on a positive trend, and remind you why you are spending your time studying and practice music. 

I will be diligently recording my ideas this week about my inspirations for practice, and will share some more thoughts on this subject next week. I wish you an inspirational week of music making! 

Works cited

Csikszentmihalyi, Mihaly. Flow. New York: Harper & Row, 1990.

Filed Under: Anxiety, Performance